intent-to-deceive

SUMMARY

This ground-breaking exhibition spotlights some of the world’s most notorious con artists, illuminating their dubious legacies, and examining how their talents, charm, and audacity beguiled and assaulted the art world for much of the 20th century through the present day.

Several ingenious forgers of the 20th century are profiled in this exhibition representing some of the most infamous scandals of the century. Han van Meegeren, Elmyr de Hory and Eric Hebborn all shook the art world with their exploits, garnering each of them worldwide notoriety but an untimely death. More recently, John Myatt, and Mark Landis have been in the news for their prolific and stylistically diverse art frauds, landing one in jail.

Included in each forger’s profile are their original works, personal effects and ephemera, photographs, film clips, and representations of the material and techniques each used to create these convincing artworks, as well as explanations on how art experts use the latest technology to unveil their fraudulence.

Original works by artists such as Charles Courtney CurranHonoré DaumierRaoul DufyPhilip de LászlόHenri MatisseJoan Mirό,Amedeo ModiglianiPablo PicassoPaul Signac, Maurice de Vlaminck and others are juxtaposed with the art of the world’s most accomplished art forgers to test perceptions of authenticity. Discovered is how these criminals plied their trade and perpetrated some of the most spectacular acts of deception in modern times!

The ultimate question proposed within Intent to Deceive one can’t help but ask is whether the uncovering of a painting’s unpalatable history actually makes it any less of a work of art. Does the discovery of a fake change our relationship with a painting? Admirers and collectors of the work of several contemporary forgers admit that they possess great art, no matter that they are forgeries. The brilliance is notable, and in fact, the murky history makes the work all the more interesting, as it gives it a story. That is the important point illustrated in this exhibition; the works have stories and drama behind them that are as fascinating as the images on their canvases.

Intent to Deceive provides a fascinating look into the psyche and behavior of these geniuses who did not choose, or were incapable of choosing, to pursue a legitimate artistic career.

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The art of forgery still intrigues, as witnessed by the many recent books and exhibitions dedicated to forgeries and their consequences.


SPECIFICATIONS

Number of Works: More than 60 works including paintings, works on paper, sculpture and ephemera
Curator: Colette Loll
Organized by: International Arts & Artists
Approximate size: 300 running feet
Security: High security
Booking Time: 12 weeks
Tour: TBD
Contact: Scheduling: Nicole Byers / Content: Laila Jadallah

 

TOUR SCHEDULE

The Michele & Donald D’Amour Museum of Fine Arts, Springfield, MA
January 21, 2014 – April 27, 2014

John and Mable Ringling Museum of Art, Sarasota, FL
May 23, 2014 – August 2, 2014

Canton Museum of Art, Canton, OH
August 28, 2014 – October 26, 2014

Oklahoma City Museum of Art, Oklahoma City, OK
February 13, 2015 – May 10, 2015

 

IMAGES

  • Mark Landis, American (b.1955), 'Untitled,' In the style of Paul Signac, date unknown, watercolor on paper. Property of the Oklahoma City Museum of Art, photograph by Shannon Kolvitz
  • Mark Landis, American (b.1955), 'French Academic Nude,' date unknown, Charcoal on paper. Property of the Oklahoma City Museum of Art, photograph by Shannon Kolvitz
  • Elmyr de Hory, Hungarian (1906-1976), 'Self Portrait,' ca. 1955-75, Oil on canvas. Courtesy of Collection of Mark Forgy, Photo by Mark Fogt
  • James Goodbrand, 'Bust of Elmyr de Hory,' 1976, bronze on granite base
  • Elmyr de Hory, Hungarian (1906-1976), 'Portrait of Elmyr and his brother Stephan,' ca. 1950, Oil on canvas. In the style of Philip de Lászlό (Hungarian, 1869-1937). Courtesy of Collection of Mark Forgy
  • Elmyr de Hory, 'Fauve Landscape,' in the style of Maurice de Vlaminck, ca. 1968, oil on canvas. Collection of Mark Forgy, Photo by Robert Fogt
  • Mark Landis, 'Women Seated on Lawn,' in the style of Charles Courtney Curran, c.2000, oil on pressed board. Courtesy of Hilliard University Art Museum
  • Elmyr de Hory, 'Portrait of a Woman,' in the style of Henri Matisse, 1974, crayon on paper. Collection of Mark Forgy, photo by Robert Fogt
  • Elmyr de Hory, 'Orchestral Scene,' in the style of Raoul Dufy, ca. 1971, watercolor on paper. Collection of Mark Forgy, photo by Robert Fogt
  • Elmyr de Hory, 'Regatta,' in the style of Raoul Dufy, ca. 1974, oil on canvas. Collection of Mark Forgy, Photo by Robert Fogt
  • Elmyr de Hory, 'Portrait of a Woman,' in the style of Amedeo Modigliani, ca. 1975, oil on canvas
  • Elmyr de Hory, 'Caryatid,' in the style of Amedeo Modigliani, ca. 1971, pencil on paper. Collection of Mark Forgy, Photo by Robert Fogt

VIDEOS

Van Meegeren’s Fake Vermeers
Museum Boijmans van Beuningen, 2010

“F for Fake” original trailer
by Orson Welles, 1976

Eric Hebborn – Portrait of a Master Forger
by BBC (Bravo Profiles)

Artist and Forger John Myatt
by American Express UK

PRESS

The Giveaway
The New Yorker, by Alec Wilkinson, August 26, 2013

In Praise of the Fake
The New Statesman, by Jonathon Keats, May 3, 2013

Not in it for the Money
New Orleans Magazine, by Noah Charney and Mathew Leininger, November 2012

Gleaning the True Identity of an Enigmatic Forger
The New York Times, by Eve M. Kahn, April 7, 2011

Elusive Forger, Giving But Never Stealing
The New York Times, by Randy Kennedy, January 11, 2011